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Too many editors

By Ryan Jaffe ·

By late October, a typical essay has been read by a parent, a second parent, an English teacher, a school counselor, an older cousin who got in somewhere good, and sometimes a chatbot. Each of them changed something. Each change was reasonable. And the essay now sounds like a committee wrote it, because one did.

How the voice disappears

It rarely happens all at once. It happens one fix at a time:

  • A parent replaces a plain word with a more impressive one.
  • A teacher smooths a fragment into a full sentence.
  • A counselor adds a line connecting the story to the student's intended major.
  • Someone asks for more about the activity, so a second example goes in.
  • Someone else says the ending is abrupt, so a reflective paragraph gets added.

None of these is wrong on its own. Together they take out the things that made the essay sound like a seventeen-year-old: the odd word choice, the short sentence, the ending that trusts the reader. What is left is correct, smooth, and anonymous.

A reader can hear it. An essay that sounds like an adult wrote it raises the one question you do not want them asking.

One reader for content, one for errors

The fix is not to stop getting feedback. It is to limit who gives which kind.

Pick one person, at most two, whose job is the big questions: is this the right story, is it clear, does it sound like you. Everyone else, if they read it at all, gets one job: find typos and errors. Not suggestions. Errors.

This sounds rigid, and it is. It is also the only reliable way to keep an essay from being pulled in five directions in the last two weeks.

For parents

You know your child better than any reader will, which makes you very good at one thing and risky at another.

You are very good at catching what is not true. If the essay says something that did not happen, or misses the thing that obviously matters most, say so.

You are risky when you start choosing words. Your vocabulary and your sense of what sounds impressive are an adult's, and an adult's sentences in a student's essay stand out. If you find yourself rewriting a line, stop and describe the problem instead: "this part is unclear" rather than a new sentence. Let the student fix it in their own words, even if their version is less polished than yours. More on this in the post for parents.

Use the read-aloud test on feedback

When someone suggests a change, have the student read the original sentence and the suggested one out loud. If the new version sounds like something the student would actually say, take it. If it sounds like the person who suggested it, leave it out.

On AI tools

The same rule applies to AI, more so. A chatbot asked to "improve" an essay will reliably produce sentences that are smoother, more formal, and less like the student. That is the opposite of what the essay needs. The post on AI and the essay covers where it helps and where it does damage.

Feedback has a deadline too

Set a date after which no new readers see the essay. A week before the deadline is about right. After that, the only changes are the student's own, and the only checks are for errors.

The essay does not need to be perfect. It needs to sound like one person, and that person is the student.

FAQ

How many people should read a college essay? One or two for substance, and possibly one more just for typos. More readers than that tends to pull the essay in conflicting directions and wash out the voice.

Should parents edit their child's college essay? Parents are valuable for catching anything untrue or missing. They should describe problems rather than rewrite sentences, so the fixes stay in the student's words.

How do I know if my essay still sounds like me? Read it aloud. If a sentence sounds like something you would not say to an adult across a table, it probably came from someone else's edit.

Can I use AI to polish my essay? Asking AI to "improve" an essay usually makes it more formal and less like you. Use any outside suggestion only if, read aloud, it sounds like your own voice.

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